I made a slight error in the previous post, leaving out a film (Inception) and getting Casino/Armageddon in the wrong order. I've edited it back in, which bumps Battle Royale to the beginning of this count-down.
#70 - 61
=#70 - Battle Royale (2000) - 48 points from three voters
The second foreign language film to make the cut, this brutal and bloody imagining of the 1999 novel of the same name laid the foundation for the considerably less entertaining
Hunger Games series.
A film about students released onto an island, armed, and told to fight to the last man (or woman) standing - it's as over the top and gory as you'd expect, but a bloody (pun intended) good time all the same.
=#68 - Silence of the Lambs (1991) - 49.5 points from three voters
The film that introduced the world to the insanely creepy character of Hannibal Lecter, this Best Picture winning thriller remains a benchmark for all crime thrillers, and spawned both a sequel (awful) and a prequel (pretty damned good).
=#68 - Full Metal Jacket (1987) - 49.5 points from three voters
If Full Metal Jacket ended after R. Lee Emery and Vincent D'Onofrio's stellar portion of the film, I don't doubt it would have ended up far higher in this count down. That opening half is cinematic gold.
The less said about the 1980s kids action movie style second half, the better.
#67 - True Romance (1993) - 50 points from two voters
Written by Quentin Tarantino before he became box office gold, True Romance is a tale of two small time criminals on a love fueled crime spree that went criminally overlooked by cinema goers. With a cast and a script with all the hallmarks of Tarantino's later hits, it's a real gem.
=#65 - The Green Mile (1999) - 52.5 points from three voters
The first of two Stephen King inspired films to make the list, 1999's
The Green Mile adapts King's series of novellas about the guards and prisoners on a fictional death row. Much like Shawshank, it's been accused of being overlong and overly sentimental, but is still considered a film that was criminally overlooked by the Academy.
A mega hit financially, it's perhaps best remembered for Michael Clarke Duncan's stellar performance as a mentally challenged man accused of murder.
=#65 - Ghostbusters (1984) - 52.5 points from three voters
Considered by many (including Total Film, Empire, and the AFI) as one of the best comedies of all time, this flick about paranormal experts who find their calling in 'busting' ghosts remains one of the most iconic films out of the 80s. While its sequel wasn't quite as well regarded, it remains a beloved favourite - with Bill Murray's performance in particular singled out.
#64 - Skyfall (2012) - 54 points from three voters
The first of two James Bond films to make the list, 2012's
Skyfall went a long way towards redeeming the franchise in the eyes of fans after a subpar outing in
Quantum of Solace. Exploring Bond's past to a degree that had never been done before, the film also featured a memorable new villain and a 'changing of the guard' as Judi Dench's M retired and a new Q were introduced.
=#61 - The Matrix (1999) - 57 points from three voters
If one movie sums up the late nineties in cinema, the Wachowski Brothers'
Matrix is surely a contender. With its techno soundtrack, dark setting, and dystopian themes it would produce a whole swathe of knock-offs (as well as two unremarkable sequels).
Keanu Reeves' Neo goes to war with the world beneath the world, and audiences loved it.
=#61 - American Sniper (2014) - 57 points from three voters
The most recent film to make the cut (unless I'm mistaken), Clint Eastwood's controversial depiction of Chris Kyle has been criticised for glorifying both war and the killing of civilians. Like it or hate it, the film drew six Academy Award nominations and featured a career making performance from Bradley Cooper as the titular sniper.
=#61 - Watchmen (2009) - 57 points from three voters
The highest placed of Zack Snyder's filmography, his 2009 adaptation of Alan Moore's insanely popular graphic novel about superheroes at their absolute darkest was perhaps a bit before its time - and certainly out of place when compared to the cheerier superhero films that dominate these days.
A complex film that questions the morality of superheroes as well as issues of government, it's well worth a look if you're a fan of superheroes and a bit of darkness.