Ride the Lion to Zion
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The star of this was the Nixon-lookalike next-door neighbour.
The star of this was the Nixon-lookalike next-door neighbour.
This tune could bring me out of a coma.
I wouldn't mind getting that CD to add to my soundtrack collection. John Carpenter is my favourite director and one of the things I love about his films are the scores he does which are strongly synth driven.I have Themeology, a CD of John Barry film and TV themes. Two of the standouts are the moog-propelled pieces from around the turn of the decade, On Her Majesty's Secret Service and The Persuaders Theme.
Through the 70s, a lot of theme and incidental music was made on synths by the likes of the BBC Radiophonic Workshop. Helped to cut costs, particularly for children's TV and schools programmes. A composer with a moog is cheaper than groups of musicians.
The Streets of San Francisco theme owed a significant debt to Norman Whitfield.This one is very,very 70s
There was a London band in the 80s called Blood and Roses. One of the lower-league Goth outfits. They released covers of Assault on Precinct 13 and Escape from New York. Didn't really work with guitars.I wouldn't mind getting that CD to add to my soundtrack collection. John Carpenter is my favourite director and one of the things I love about his films are the scores he does which are strongly synth driven.
I'll check that out.Another good one is the Residents score for the film The Census Taker.
They certainly did things their own way but your friend is right they most certainly were musical geniuses.I'll check that out.
Never paid much attention to the oeuvre of the Residents. There is an awful lot to absorb. I did have a friend who swore they were geniuses.
Cagney and Lacey was very popular among a certain demographic in Britain. Extensive speculation over what they were saying to the flasher in the title sequence. BBC ran a sort of caption competition inviting suggestions. Cue a barrage of belittling ribaldry from feminist respondents.
As a Pom on an Aussie forum, never sure whether I'm assuming too much or too little.
Ever seen a film called Virgin Witch?Personally I wouldn't have minded bumping into Vicki Michelle (Yvette) back in the day. She was a real cutie.
I bought "A Little More Love" unheard from the new releases counter. Had seen Grease three times, was somewhat smitten and willing to take a chance. Gamble paid off, it's a terrific hard-edged guitar-driven track. Reached number 4 on the UK chart.This is classic Olivia and Molly, love the ending.
Sure have. I've got an absolutely massive horror collection. By far my favourite genre of movies.Ever seen a film called Virgin Witch?
Yeah, I'm familiar with the Everton link. As I said previously Rockford Files (along with Barney Miller) are my 2 favourite TV shows of alltime.As a Pom on an Aussie forum, never sure whether I'm assuming too much or too little.
When you brought up Rockford files and Tranmere, was tempted to reply with the more well-known example of Z Cars and Everton. The Z Cars theme got an airing in Sydney when Everton played Celtic at Accor in 2022.
A brief investigation into "The Census Taker" yielded something called "Whatever Happened to Vileness Fats". The percussive element reminded me of another film with a weird-ass electronic soundtrack, which I expect would be classed as Horror, "The Legend of Hell House".Sure have. I've got an absolutely massive horror collection. By far my favourite genre of movies.
It's most certainly a horror film (plus it's got the awesome Roddy McDowall in it). Vileness Fats (the movie) was never completed but portions of it have been released. "Trippy" definitely applies to those released portions.A brief investigation into "The Census Taker" yielded something called "Whatever Happened to Vileness Fats". The percussive element reminded me of another film with a weird-ass electronic soundtrack, which I expect would be classed as Horror, "The Legend of Hell House".
I bought "A Little More Love" unheard from the new releases counter. Had seen Grease three times, was somewhat smitten and willing to take a chance. Gamble paid off, it's a terrific hard-edged guitar-driven track. Reached number 4 on the UK chart.
Quite a bold move for Olivia. Her profile was high. Would have been easy to cash in with a syrupy ballad. Possibly paved the way for her 80s success.