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Next TV rights deal

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Hello, I'm The Doctor

First Grade
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9,124
The NRL rights holders Channel Nine had been offered the opportunity to present the much-anticipated event but had refused.

...

Later in the day Channel Nine covered the naming of the Queensland line-up. It is understood the channel made a late bid to oust Seven from the presentation but the NRL stood firm.

This is such a perfect representation of 9s view of RL. They dont really want it, but they REALLY dont want anyone else to have it.

Im really glad the the NRL didnt give it back to them; i dont care if the NRL gave up a few grand, its totally worth screwing 9.
 

j5o6hn

Juniors
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2,013
Ch 9 home of conflict of interest with an AFL lover negotiating both sets of rights,also a shit channel
 

carlosthedwarf

First Grade
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8,189
https://twitter.com/ERLEAGUE/status/608536100936667136

Somewhat related

l6kmsCf.png
 

El Diablo

Post Whore
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94,107
http://www.smh.com.au/entertainment...-on-nines-sporting-jewel-20150608-ghilei.html

Rivals look to swoop on Nine's sporting jewel

Date
June 10, 2015 - 5:00PM

Jon Pierik
Sports writer with The Age

It's arguably the jewel in Nine's sporting crown, but so good has been its coverage - and ratings - of rugby league's state of origin that the network could soon have the series ripped from its stable.

As Nine heads to market over a new broadcast rights agreement, having leapt in a year ahead of schedule to ensure it remained on par with the AFL's negotiations, it has emerged that the NRL could have coverage of the regular season and finals with two broadcasters, for instance incumbents Nine and Fox Sports, while having the three-match, state-of-origin series between NSW and Queensland as a stand-alone entity with another network.

Ten and Seven have expressed interest in the NRL, but whether Ten, struggling financially, and Seven, already determined to hold on to the AFL rights, ultimately put in a serious offer remains to be seen.

What is undeniable is the popularity of state of origin, a concept the AFL has long abandoned as a result of waning interest.

In terms of national audience, the opening two origin matches of 2014 were the most watched programs of the year (with the NRL grand final third) - and last month's opening clash of the new campaign delivered 2.38 million metropolitan viewers nationwide. This was a drop of 6.58 per cent on game one of last year, according to Fusion Media, with Melbourne down 13 per cent to 372,000. Still, for a code that continues to struggle for traction in a Melbourne market dominated by the AFL, that was a healthy figure.

"It does set up the potential for ratings lift in game two," Fusion Media's Steve Allen said.

It should also be noted that the match and pre-match show were comfortably the two most watched programs on the night, while the post-match analysis was the seventh highest-watched show. Industry insiders believe such is the demand from advertisers that Nine can charge about $150,000 for a 30-second slot, and could generate about $20 million in revenue this year. By comparison, the same slot for an AFL grand final costs about $130,000, while for the NRL grand final it is about $100,000.

Little wonder the series is considered the most valuable sporting item on the Australian calendar.

Game two will be held on the neutral turf of the MCG on June 17, and strong media coverage heading into that clash is likely to deliver a rise in Melbourne's ratings figures.

Nine's head of sport Steve Crawley said he does not pay attention to ratings, rather his focus is on the quality of the broadcast - with Nine again covering all angles.

However, he said staging origin in Melbourne could have the flow-on effect of improving ratings for Nine's weekly NRL coverage on digital station GEM, with matches shown on a Friday night and Sunday afternoon.

"Origin is not a game of rugby league. It's like the Melbourne Cup is not a horse race. It is just bigger and the fact that Melbourne has been a sell-out, I think it is really exciting for everyone," Crawley said.

"Some of the best rugby league players in the world play for the Melbourne Storm. I think it'll be a wonderful thing for them to be playing on the MCG."

This includes Storm captain Cameron Smith. Added Crawley: "He is now a Melbourne person and to play on the biggest ground in the sporting capital of Australia is a massive thing. There might be people watching rugby league for the first time that will get a good understanding of what this [league] is."

Nine remains confident it will retain state-of-origin, but NRL chiefs have made it clear they are open to selling the series as an independent asset.

The NRL hopes for a record-breaking $1.5 billion deal as part of its new agreement, but that could be more if there is a bidding frenzy for state of origin. As Sports Watch has detailed, live sport is increasingly crucial for networks as they continue to generate mass audiences, and cannot be downloaded earlier.

The AFL, meanwhile, has indicated that it hopes to clinch a $1.7 billion deal. AFL chief Gillon McLachlan recently held another round of talks with media chiefs, in preparation for serious discussions opening in coming weeks.

Port Adelaide president, and Seven's Sunrise host, David Koch has said the AFL must win the rugby-league battleground that is NSW and Queensland if it is to eventually enjoy another major spike in revenue. If the state-of-origin ratings aren't confronting enough, Seven's AFL ratings in Sydney surely are.

Given Friday-night billing in round nine, when the Sydney Swans hosted Carlton, only an average of 63,000 viewers turned on in Sydney on digital channel 7Mate to watch a clash where club great Adam Goodes took an unforgettable stand for his indigenous culture.
 

Chief_Chujo

First Grade
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7,808
Ten + Fox will multicast the NRL. Origin, I think, is between Nine and Seven. Seven more likely as they will take internationals as well.

That's my wishful thinking anyway lol
 

nrlnrl

First Grade
Messages
6,839
I think he will be there for at least the WC in 2017

No, like many of the corporate types these days - get in, get out & move on to another highly paid role. All they do is substitute their speeches with the name of the company & business they are in.
 

Pig Champion

Juniors
Messages
1,904
Too many rugby league old boys not happy with an "outsider"

Just look at this talk of the club bosses led by Politis and Dib wanting to oust Smith and replace him with Gould (an employee of Ch 9).
 

chigurh

Guest
Messages
3,958
Thats no good if its true. I like dave smith

Me too. I think he has been very good, and a big step in the right direction for the game.

Too many rugby league old boys not happy with an "outsider"

Just look at this talk of the club bosses led by Politis and Dib wanting to oust Smith and replace him with Gould (an employee of Ch 9).

If that is true, it's mind boggling to think there's still some out there wanting "football types" to run a billion dollar business. And they aren't restricted to your average bogan deadsh*t fan either.
 

Diesel

Referee
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22,151
Smith has done a good job IMO, I'm not sure how much can be laid at the commission because you don't see as much from what they do.

For me, I'm loving that these Sydney old boys are getting upset, it shows they're losing power and their self interests aren't getting through, to me, it means Smith (and whoever else) are doing a good job
 

El Diablo

Post Whore
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94,107
http://wwos.ninemsn.com.au/article.aspx?id=8996863

NRL's TV negotiations get ratings boost
Steve Zemek
21:07 AEST Thu Jun 11 2015

The NRL's hopes of landing a record new TV rights deal received a boost with ratings showing strong growth in the first half of the 2015 season.

On Thursday club powerbrokers were told at the NRL chief executives meeting that television viewership was up this year on the back of a spike in the popularity of Sunday afternoon football.

The NRL pointed to figures from OzTAM - Australia's official television audience measurement data company - that showed following 13 rounds of free to air metropolitan TV that audiences were up five per cent on the same period last year.

That included a 10 per cent bump in Sydney and 17 per cent jump in Melbourne.

However they had dropped two per cent in the rugby league heartland of Brisbane, despite the Broncos' strong performances in the first 13 rounds to lead the competition.

Most of that growth has been on the back of the increase in viewership for free-to-air Sunday afternoon broadcasts, due to Channel 9's decision to show its game live instead of on delay.

The timeslot is up 17 per cent in metro areas compared to the same period last year, including in Sydney (+21 per cent), Brisbane (+9 per cent) and Melbourne (+24 per cent).

However Nine's marquee live Friday night telecast has experienced a drop in ratings, down 0.4 per cent overall, including a 5 per cent plunge in Brisbane. Ratings are up 4 per cent in Sydney however.

Last month the NRL ramped up negotiations on its next TV rights deal, due to begin in 2018.

Speculation has put the deal's worth at between $1.5 and $2 billion.

The NRL has engaged Credit Suisse chief executive John Knox to handle its rights process while Nine has hired heavy hitter Jeffrey Browne.

Current broadcasters Nine and Fox Sports along with Seven and Ten are in the running for the rights.

The NRL is also considering selling off the rights to State of Origin separately to the NRL season in an attempt to drive up its price.

The NRL has opened negotiations a year early in the hope of getting the jump on the AFL.

At the NRL chief executives meeting, clubs were given a run down on possible changes to the interchange system, as well as plans to limit breaks in play and reduce concussions.

The whole of game review being undertaken by head of game strategy and development Shane Richardson, which will look into a draft, junior structures and the scrapping of the National Youth Competition, was also discussed.
 
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4,980
Just a thought. With the TV rights process being brought forward, does that mean that we are going to get a decision on expansion sooner rather than later? I mean, they can't sell rights without knowing how many games they are showing.
 
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Any word on if the latest TV deals will force the broadcaster to show the games in HD?

Part of the problem is legislative requirements, especially in relation to the Grand Final. This article published on the TV Tonight website gives a very good explanation of the issues -

Why the hold-up to change primary channels to HD?

September 26th, 2014 By David Knox

Sports fans waiting to see Grand Finals are once again out of luck, nine months after analogue television was switched off around the country.

While Seven and Nine are required by the anti-siphoning legislation to screen the AFL and NRL grand finals on their primary channels, there is nothing to prevent them from simulcasting them on 7mate or GEM respectively.
Premium sport along with other genres continues to be screened in SD while the industry and government are distracted by other concerns such as FreeviewPlus, Piracy and killing off Community TV. That’s despite Nine CEO David Gyngell telling media at the 2012 NRL rights conference games would be in HD from 2014.

Nine does produce the NRL in high definition, which screens in glorious HD on FOX Sports. Viewers in Perth and Adelaide also get to see NRL on GEM, but where it really counts -Sydney and Brisbane- standard definition prevails.

When questioned on David Gyngell’s position this week, Nine did not reply by deadline.

Meanwhile, Seven doesn’t even produce its AFL in HD, despite it continually touting itself as a leader in sports broadcasting. Seven-produced games on FOX Footy are upscaled, but not to “full” HD.

This week Mumbrella published a story that Seven Melbourne general manager Lewis Martin had ‘backflipped’ on a pledge to screen the Grand Final in HD.

A Seven spokesperson told TV Tonight, “We produce our AFL coverage for our primary channel, Channel 7, which is a standard definition channel.”

Of course if our networks had switched their primary channels to HD nine months ago (isn’t that why we all bought new TVs?) none of this would be a problem. We could watch premium drama, entertainment, documentary and news in HD too.

But as FreeTV explains, networks can’t make that move under current regulation. Last December FreeTV wrote to Communications Minister Malcolm Turnbull recommending Legislative change to the Broadcast Services Act to drop the requirement that primary channels must be an SDTV service.

“Under the current regulatory framework broadcasters are forbidden to show their primary channel in HD and under the antisiphoning rules listed sports must be on a primary channel unless you get permission to do otherwise,” said Free TV CEO, Julie Flynn.

“So the first step which we think is absolutely a no-brainer and can be done simply and quickly is to get rid of the regulation in Schedule 4. Deciding whether or not to run your primary channel in HD should be a commercial decision for broadcasters.”

While Seven indicated it backed FreeTV’s push, a TEN spokesperson this week told TV Tonight, “We have asked the Government to get rid of the regulation currently preventing us from broadcasting our primary channel, TEN, in HD. Once the restriction is gone we will be able to provide more premium HD content to viewers.”

But while networks are awaiting regulatory change, what’s stopping them from simulcasting premium sport in HD now? Not the anti-siphoning list, which rules only that it must seek approval if it wants Tier A sports only on multichannels. Not OzTAM ratings, which allows networks to merge numbers where a content simulcast applies, a la Family Feud.

No, it appears to be driven by money. Ad rates for Primary channels are around 7 – 10 times higher than those on multichannels.

Victor Corones from MagnaGlobal said, “There is generally more available audiences sitting on the primary channels which also happen to be the more expensive channels from a rates and Cost Per Thousand perspective. I would also think that there a greater chance of catching more viewers if the show sits on the well-known primary channel.

“Part of it may relate to launching shows during the event where they want audiences to stay tuned that day.”
Meanwhile Free to Air viewers can look forward to two glorious standard definition finals across two weeks.
 
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